Fashion model sketch 1960s space age12/8/2023 Both were students of architecture in Europe before coming to New York, and neither has drifted from the clean, sharp designs that are their signatures. In addition, the Fashion Institute of Techology in New York is planning a three-day spring symposium on "The Architects of Fashion."īut all along there have been two designers in New York who have made architectural clothes - Ronaldus Shamask and Zoran. "Architectural" is the flattering catchword applied to successful collections this season, particularly to those of Gian Franco Ferre in Milan, Claude Montana and France Andrevie in Paris, and Halston, Bill Blass, Harriet Winter and Oscar de la Renta in New York. A ruffle or pleat can mask a less-than-top-quality fabric while unadorned material distinguished only by its interesting cut and seaming relies on the fabric to make its statement. Clean shapes require stronger fabrics since they have little to hide behind. Ironically, though much simpler, this simpler style does not ensure lower price tags. But now the fabric is softer, the construction less rigid, and the look is beginning to show up in the top collections for spring. This architectural look, unadorned shapes enhanced by angular cuts and ingenious seaming, reminds one of the clothes made for "The Avant Garde in Russia, 1910-1930" last year at the Hirshhorn, and the Space Age clothes of Andre'Courre ges and Pierre Cardin in Paris in the early 1960s. Clothes pared to a sparer form are apt to be more long-wearing and more versatile and they adapt to easy changes with accessories women have long collected. In their creations for next spring, designers have cut back on the clutter. First to go were the ruffles, then the glitz.
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